So this was my big writing project for March. When Michael Simning, patron saint of foreigners here in Gwangju, passed away on February 28, I volunteered (read: demanded) to do the the inevitable cover story on him for Gwangju News.

It was cathartic to write. When I heard he had passed, I deeply regretted not getting to know him better during his life, and that sense of loss felt all the worse for feeling somehow unjustified, since we hadn't been close. 

What I realized, however, was that my unfamiliarity with him could be turned into a gift of its own. The attention of your family and friends is love, but the attention of strangers is an honor. So I set out to write an article communicating to our readers why Michael Simning was an objectively valuable individual; while everyone else would pound out their personal feels about him on their keyboards - meaningful thoughts to other members of their circle, but only abstract expressions of grief to passersby - I would prepare an essentially dispassionate piece aimed at helping people who'd never heard of Michael Simning "get" why it's a sad thing he's gone.

I tried. Here is the result. It's far from perfect - I see my mistakes when I look at my old work, believe me - but I think there's honor in it. And yeah, a little love too.


... has been posted on Gwangju News Online. Props to the publisher for agreeing to let me tackle the subject.

EDIT: Whoa, this one blew up.
Yes, I'm still doing reviews for Waygeek, and yes, I'm still playing catch-up. You can find my latest one of "The Bridge" right here
Here's the link
Waygeek.me is now up and running, so my reviews of Agents of S.H.I.E.L.D. are going up there. 

Since the website took a little longer than planned to get off the ground, I'll be playing catch-up a bit. This review is for the episode which aired two weeks ago. The plan is to be caught up by next Tuesday, though.
Got a new BtM up over at Gwangju News Online. You can find it here.

You can check out a list of previous ones by clicking the "What Adam's Written" tab.
PicturePeter MacNicol as Dr. Elliott Randolph.
This review is now available at waygeek.me, as all future reviews of Agents of S.H.I.E.L.D. will be.

If there’s a foundational principle of good criticism, it’s this: always judge the piece by what it is against what it’s trying to be, not what you think the creator(s) should have tried instead.

Boy, does “The Well” make that difficult.

The marketing hook for this week’s episode was that since Agents of S.H.I.E.L.D. takes place in the same continuity as the just-released Thor 2audiences would get to see the eponymous agents respond to that movie's events. Like all the connections between Marvel Entertainment’s superhero movies, AoS’s timely acknowledgement of Thor 2 was an exciting and potentially game-changing bit of synergy.

But instead of our agents fighting the henchmen of Thor’s new enemy, or perhaps encountering a minor member of the film’s supporting cast, the sum total of Thor 2’s effect on “The Well” is to provide an excuse for Agent Coulson to explain who the Asgardians are, just before the episode begins its own, completely unrelated story about one of them. That’s right: the tie-in is that this is a Thor-themed episode. Really.

Let me tell you: before this episode aired, I was already amazed at how unwilling this show is to use any of its advantages. It’s the TV equivalent of a high school graduate who’s sworn to succeed with as little help as possible from his billionaire parents. It has a ready-made audience of comic book geeks, but dispenses the content those fans want to see at a rate that’s less like a drip-feed and more like Chinese water torture. It also has a ready-made audience of moviegoers who saw The Avengers, to whom it’s thus far offered only set props. Oh, and its production company has more money than God with which to wow us, and yet the series frequently looks, shall we say, “budget-conscious”.

After this episode, though, I have a whole new appreciation for how hell-bent this series really is on standing with its own two feet. Make no mistake, Folks, the people responsible for Agents of S.H.I.E.L.D. intend to play on Hard Mode.

But attempting an unnecessarily challenging approach is only impressive if you succeed, so let's pretend this show didn’t just miss a huge opportunity to tie in with the biggest film at the US box office, and ask the important question: how was Agents this week? 

NOT PICTURED: Chris Hemsworth, Tom Hiddleston, Natalie Portman, Anthony Hopkins, Rene Russo, Kat Dennings, Stellan SkarsgÄrd, or even Jonathan Howard.

Well, it’s definitely one of the inoffensive episodes (“good” is too strong a word). The Norwegian Neo-Nazis are logical Villains-of-the-Week. Peter MacNicol plays a clever inversion of a very different group and is charming enough to where I hope he reprises the role sometime. And even if we didn’t get a meaningful tie-in with the Marvel Movieverse, Agent Coulson’s team is at least dealing with, er, words which are also used in that universe (I don't mean to grow tiresome, but it's just occurred to me that no concept introduced in this episode is Marvel property; it's all public domain stuff). The dialogue's still cute.

I'm as happy as anyone to see Agent Ward fleshed out a bit, though I think the critics who accuse this show of employing the "mysterious past" element too often are exaggerating its use. Agent Ward was never mysterious. We just hadn't gotten to know him yet. Ditto with Fitz, Simmons, Coulson, and Skye; only May has any mystique.

Come to think of it, we’re almost finished now with the run of episodes meant to spotlight and develop each member of the team. “Girl In A Flower Dress” focused on Skye, “F.Z.Z.T.” on Simmons, and last week’s “The Hub” on Fitz. I like that each character’s experiences in his or her own episode are recalled in this one: Simmons flinches at the sight of an alien artifact, Fitz has his insecurity in his masculinity thrown in his face, and Skye’s still on probation. Are these characters more interesting as a result? I wouldn’t go that far, but the show's improved anyway for the effort.  

If Coulson returns to center-stage after next episode's doubtlessly May-centric story and makes an earnest attempt to solve the mystery of his resurrection, I'll be happy with how the writers have paced his subplot. I don’t think anyone’s interested in waiting another 14 episodes for progress on it.


The design of the Berzerker Staff appears to be based on the weapons of The Worthy, a group of Asgardian villains featured in Marvel Comics’ crossover storyline of 2011, “Fear Itself”. The arc isn’t fondly remembered and at any rate the episode only borrows the visual, so I doubt any viewers’ faces lit up if they noticed.

Props to MovieBob for noticing a very subtle reference to Agent Coulson's ex-girlfriend. At the end of the episode, Coulson suggests Randolph relocate to Portland, Oregon for its "excellent philharmonic." In The Avengers, Coulson and Pepper Potts briefly discuss his failed relationship with a female cellist in Portland. Whatcha want to bet we see her someday?
OK, there was a nice Dollhouse reference at the end there. “Did I fall asleep?” “For a little while…”

And while the show might not be serving geeks so well, geeks seem to be doing right by it. This tribute song to Agent Coulson just got posted on YouTube by the Doubleclicks. Enjoy that.


While we're at it, a friend recently mentioned that "The Hub" was one of the three best episodes thus far, which naturally led me to wonder how I'd rank the ones we've seen. So I tried.

S01E03: “The Asset” 

S01E04: “Eye Spy”

S01E08: “The Well”

S01E06: “F.Z.Z.T”

S01E07: “The Hub”

S01E01: “Pilot”

S01E02: “0-8-4”

S01E05: “Girl in the Flower Dress”